a5c7b9f00b A retired old west killer sets up a hotel for vagrants and wayward souls called Peace Hotel. When a woman with a gang on her tail attempts to hide there the owner of the hotel must revert to his old ways to protect his hotel. Set circa 1930, "The King of Killers", a one-man killing machine who, after his wife's murder, has decided to set up the "Peace Hotel", a sanctuary where anyone can stay and be protected from those who want to harm them. Although he has pledged never to kick anyone out of the Peace Hotel, he is put to the test when a penniless female swindler, who is wanted by a vicious gang for murdering their boss, shows up. Now he has to decide whether to risk an all-out war with the gang, or whether to ask her to leave the hotel. Chow Yun-Fat in the wild west? Why not?<br/><br/>Known as "The Killer" yet again, Chow commits mass murder in a blind rage, and then vanishes from the murder scene to build the "Peace Hotel," a supposedly sacred place for crooks and degenerates to run to if they're on the run from the law or any criminal element, and have nowhere else to go.<br/><br/>That all changes when a woman played by Cecilia Yip arrives claiming to be Chow's long-lost wife. I tell you, I've never heard more lies spewed forth from a movie character in such a short amount of time until I saw this movie. It's just lie after lie with this one, and she's persistent, too. Chow never falls for these sob stories of hers, and quickly debunks them as the myths they are, usually following up with a smack upside the head with a paper fan or a broom or something.<br/><br/>Then a gang arrives, apparently after her for killing one of their bosses, but Chow's code won't allow her to be killed by them. No matter. It's obvious and inevitable that he'll take up the sword once again.<br/><br/>As a comedy-drama, Peace Hotel works in a few ways, but not many. It makes for an unconvincing romance story. And as an action story, it's abysmal. The swordfights are some of the worst-edited sequences I've ever seen. Imagine Paul Greengrass filming a man swinging a flaming torch (and later, a sword) through countless bad guys. Now imagine Olivier Megaton, fresh from Taken 3, editing that footage. Now imagine that footage sped up. Yeah. It's bad.<br/><br/>The single shootout sequence, however, is fantastic, and a major contrast to the editing style applied to the swordfights. I suspect John Woo, who helped produce this film, took over the director's chair for this sequence, because I can't see how the same director who did such poor swordfight sequences could have done such a grand shootout like the one on display here. It's the only plausible explanation.<br/><br/>Overall, the acting is corny and not all that great, although Chow seems to really give it his all and seems to be the only one really trying to churn out a decent performance. The comedy works, sometimes, but often falls flat. The plot twists are silly. The music is distractingly poor sometimes. I think the second half, with the exception of the shootout, is where things really started to fall apart. Unfortunate, because this could have been better had it been handled with more care. Review: I quite enjoyed this film, mainly because of the crazy lady who told load of lies to stay in the hotel but the action scenes wasn't that great, because of the shoddy camera work. Chow Yun-Fat puts in his usual great performance and the different characters also made it quite enjoyable. Once Chow Yun-Fat's character, The Killer, falls for the lying, cheating and very deceptive girl, the storyline does get a bit weak but the witty storyline and original concept beforehand, was great. Although the movie is full of subtitles, it's still easy to follow and the open ending was sad in one way but intriguing in another. Most of the movie is based around a hotel, with a Western backdrop, so the scale of the movie isn't that big but the ending was still pretty epic. With that aside, everything about this small budget movie worked and I'm slowly becoming a big fan of Chow Yun-Fat. Enjoyable! <br/><br/>Round-Up: This was the first movie directed by Ka-Fai Wait, 54, in 1995 and he has gone on to direct 17 more movies for the Oriental market, which I personally haven't heard of. Chow Yun- Fat also wrote this movie with the director, and with the production skills of John Woo, it's not surprising that this project turned out so well. <br/><br/>I recommend this movie to people who are into their action/crime/drama/romance/westerns starring Chow Yun-Fat, Cecilia Yip, Ho Chin and Shun Lau. 5/10
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